“The best way to understand the immense influence of this relatively small business is through a political economic analysis.”
Gregory Anderson, creator of Stomp the Yard, has been called a trailblazer for independent film distribution.
This thesis explores the practices of filmmakers of color in the United States who employ strategies to circumvent industrial, financial and cultural barriers to production and distribution.
The first in a series of six podcasts, recorded during the Futures of Entertainment Conference.
This session will briefly look at Film Noir’s roots in German Romanticism and Expressionism, its relationships with contemporary arts, and its successors in contemporary film culture.