MIT Graduate Program in Comparative Media Studies
Studying Media and Making Media
In conversation with MIT Professor Vivek Bald, critically-acclaimed filmmaker and artist Thomas Allen Harris will reveal his process, experiences, and unexpected outcomes working with communities in online and offline shared spaces and places. Livestream starting at 5pm.
Brazilian journalist Daniel Bacchieri and his StreetMusicMap collaborators are exploring the creative possibilities of collective story-telling through performance.
Marisa Morán Jahn is a multi-media artist, writer, educator and activist, whose colorful, often humorous uses of personae and media create imaginative pathways to civic awareness of urgent public issues.
Sasha Costanza-Chock explores key findings and recommendations from #MoreThanCode (morethancode.cc), a recently-released field scan based on more than 100 practitioner interviews.
Meet faculty and research managers, learn about the program, and ask questions.
On the heels of the day’s graduate program information session, join us for our annual colloquium featuring alumni of CMS, discussing their lives from MIT to their careers today.
Filmmakers Myron Dewey, Josh Fox and James Spione spent months on the front lines documenting North Dakota’s violent response to the peaceful water protectors.
Myron Dewey has pioneered the blending of citizen monitoring, documentary filmmaking, and social networking in the cause of environment, social justice and indigenous people's rights.
The University of Texas' Roderick Hart argues that disagreements – endless, raucous disagreements – draw citizens in, or at least enough of them to sustain civic hope.
Caren Kaplan is Professor of American Studies at the University of California, Davis, and affiliated faculty in Cultural Studies and Science and Technology Studies.
Nick-Brie Guarriello on the political economies and labor demands of micro-celebrity and Influencer culture across social media platforms regarding the Pokémon GO community.
Throughout her career as an interactive producer, funder and public programmer, Opeyemi Opeyemi has created spaces and pipelines for interdisciplinary artists, communities, and creative teams to experiment with and create meaningful innovative content.
Media scholars Stuart Cunningham and David Craig propose challenging, revisionist accounts of the political economy of digital media, the precarious status of creative labor and media management, and the possibilities of progressive cultural politics in commercializing environments.
Machine Visions is a grad student-run event series focused on developing cross-department connections around topics related to computer vision at MIT.
The idiosyncratic and surprising ways computer hobbyists in Czechoslovakia challenged the power of the oppressive political regime and harnessed early microcomputer technology for both entertainment and activism.
