What are the tradeoffs artists make between creating artificial scarcity to increase a work’s unique value and increasing its visibility through broader reproduction? How are the needs of those who teach and write on video going to be met in the face of hyper-commodification?
MIT Graduate Program in Comparative Media Studies
Studying Media and Making Media
Bill Arning
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The CMS graduate program has its home in Comparative Media Studies/Writing
Part of MIT's School of Humanities, Arts, and Social Sciences