The Color of Seawater Through a Picture Window

MIT Media Lab, Room 633 75 Amherst St., Cambridge, MA

Kelley will show selections of his recent projects and related narrative and ethnographic films, as well as rehearse a lecture/performance about architectural morphology and global tourism.

Mapping the Urban Database Documentary

MIT Media Lab, Room 633 75 Amherst St., Cambridge, MA

The urban database documentary is a mode of media art practice that uses structural systems as generative processes and organizational frameworks to explore the lived experience of place.

Adapting Journalism to the Web

MIT Media Lab, Room 633 75 Amherst St., Cambridge, MA

How can professional reporters and editors help to assure that quality journalism will be recognized and valued in our brave new digital world?

Designing Digital Humanities

MIT Building 2, Room 105 182 Memorial Drive, Cambridge, MA

Johanna Drucker tells us how designers have a major role to play in the collaborative envisioning of new formats and processes.

14th Annual CMS Media Spectacle

MIT Building 32 (Stata Center), Room 155 32 Vassar Street, Cambridge, MA

Media Spectacle prizes include the Chris Pomiecko Award for Best Undergraduate Entry, as well as awards for Best Non-undergraduate Entry, Animation, and more.

ROFLCon 2012

"Informed commentators suggest that this may be the most important gathering of humanity since the fall of the tower of Babel."

Electronic Literature and Future Books

MIT Media Lab, Bartos Theater 20 Ames Street, Cambridge, MA

How has electronic literature influenced other media, including the Web and the book? What are the implications of having literary projects in the digital sphere alongside other forms of communication and art?

Games by the Book: An Exhibit

Hayden Memorial Library 160 Memorial Drive, Cambridge, MA

The games showcased in this exhibit demonstrate that there is a wide variety of approaches one can follow in adapting literary works into games.

George Lakoff, “The Brain’s Politics: How Campaigns Are Framed and Why”

MIT Media Lab, Bartos Theater 20 Ames Street, Cambridge, MA

Everything we learn, know and understand is physical โ€” a matter of brain circuitry. This basic fact has deep implications for how politics is understood, how campaigns are framed, why conservatives and progressives talk past each other, and why progressives have more problems framing messages than conservatives do โ€” and what they can do about it.

Artist-Audience Relations in the Age of Social Media

MIT Building 4, Room 231 Cambridge, MA

Nancy Baym asks, "How does direct access to fans change what it means to be an artist? What rewards are there that weren't before?"

On-Campus Information Session

Comparative Media Studies: MIT Building E15, Room 335 20 Ames St., Cambridge, MA

September 20, 2012. If you would like to attend an on-campus info session, please RSVP to cms-admissions@mit.edu.

Jim Bizzocchi, “Close-Reading Media Poetics”

MIT Media Lab, Room 633 75 Amherst St., Cambridge, MA

Close reading requires that the scholar immerse herself in the experience of the text on its own terms, and at the same time maintain a critical distance.