MIT Graduate Program in Comparative Media Studies
Studying Media and Making Media
A workshop exploring the role of space in storytelling and how artists can use the tools of game design to construct complex narratives.
In this workshop, we'll analyze sample abstracts from different fields, learn editing strategies, and practice revising abstracts.
Modit is currently in private beta but in this workshop, we will showcase our HTML5 game development.
The Festival of Learning is a two-day festival, where anyone from MIT's Media Lab buildings (E14 and E15) can teach, learn, and collaborate!
A glimpse into contemporary short film productions from European film schools, young and established independent filmmakers, and European festivals.
We'll explore how instructors can break down assignments to demystify research, writing, and presentation in their fields.
Participants will learn the basic stitches, knit and purl, and other skills to make their first project.
What kind of feedback will help students understand how to revise their essays, reports or articles, or to write their next assignment more effectively?
This interactive workshop is geared to instructors across the disciplines who are interested in integrating oral presentation into their classes
In this hands-on workshop you'll learn how to create, tag, link, and share annotations in web-based environments.
Marcella Szablewicz: "Are games the imagined utopia they are made out to be in these nostalgic accounts or might these affective attachments prove to be a form of what Lauren Berlant has called cruel optimism?"
How is new access to the power of the visual changing our journalism? What current projects are particularly significant?
The challenges and opportunities of a hyperlingual dialogue among civilizations, where humans work with machines and with each other to communicate and where books do talk to each other.
Statistician and political polling analyst Nate Silver will discuss his career -- from student journalist to baseball prognosticator to the creator of FiveThirtyEight.com.
D.T. Max, staff writer at the New Yorker, looks at David Foster Wallace and irony, with an eye especially on his 1990's attacks on David Letterman and the novelist Mark Leyner.
