Media in Transition 5: creativity, ownership and collaboration in the digital age
Our understanding of the technical and social processes by which culture is made and reproduced is being challenged and enlarged by digital technologies.
MIT Graduate Program in Comparative Media Studies
Studying Media and Making Media
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Moby-Dick Performance and Conference
Mixed Magic Theatre 500 Mineral Spring Avenue, Pawtucket, RI
Futures of Entertainment 2
MIT Media Lab, Bartos Theater 20 Ames Street, Cambridge, MADevelopments in advertising, cult media, metrics, measurement, and accounting for audiences, cultural labor and audience relations.
Futures of Entertainment 3
MIT Media Lab, Bartos Theater 20 Ames Street, Cambridge, MAThis year's conference will work to bring together the themes from last year -- media spreadability, audiences and value, social media, distribution -- with the Consortium's new projects as we move towards an increasingly global understanding of media convergence and content flows.
Media in Transition 6: stone and papyrus, storage and transmission
MIT Building E51 70 Memorial Drive, Cambridge, MAWhat are the implications of the tension between storage and transmission for education, for individual and national identities, for notions of what is public and what is private?
NML Spring Conference – Learning in a Participatory Culture
MIT Building 6, Room 120 182 Memorial Drive (Rear), Cambridge, MAComparative Media Studies and Project New Media Literacies will host a one-day conference at MIT, Building 6-120, from 8:30 am to 5 pm on Saturday May 2, 2009.
Futures of Entertainment 4
Futures of Entertainment 4 once again brings together key industry leaders and academic scholars who are shaping these new directions in our culture.
ROFLCon
Sponsored in part by CMS, ROFLCon is "Two days and two nights of the most epic internet culture conference ever assembled."
Media in Transition 7: “Unstable Platforms: The Promise and Peril of Transition”
Has the digital age confirmed and exponentially increased the cultural instability and creative destruction that are often said to define advanced capitalism?
ROFLCon 2012
"Informed commentators suggest that this may be the most important gathering of humanity since the fall of the tower of Babel."
Futures of Entertainment 6
MIT Building E51, Wong Auditorium 70 Memorial Drive, Cambridge, MAThis year's event, Nov. 9-10 at MIT, will look at how media producers and audiences are relating to one another in new ways in a spreadable media landscape.
Media in Transition 8: Public Media, Private Media
Submissions accepted on a rolling basis until Friday, March 1, 2013.
Media in Transition 10: A Reprise – Democracy and Digital Media
Massachusetts Institute of TechnologyConcepts of participation, trust, and democracy are increasingly fraught, essential, and powerfully repositioned. How will our news media look and sound in the next decade? What can we learn from news media of the past? What can international perspectives reveal about the variability and fluidity of media landscapes?
Design and Semantics of Form and Movement
Cambridge, MADeSForM (Design and Semantics of Form and Movement) seeks to present current research into the nature, character and behavior of emerging typologies of connected and intelligent objects within adaptive systems.
Bearing Witness, Seeking Justice
A conference for diverse constituencies to express their views and to showcase findings on videography as a creative tool in the quest for social justice.
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The CMS graduate program has its home in Comparative Media Studies/Writing
Part of MIT's School of Humanities, Arts, and Social Sciences