MIT Graduate Program in Comparative Media Studies
Studying Media and Making Media
Nancy Baym: "By the time musicians and industry figures realized they could use the internet to reach audiences directly, those audiences had already established their presences and social norms online, putting them in unprecedented positions of power."
Food porn, banhammers, and the memes of production -- it's time for the 2018 CMS thesis presentations. Open to the public. You are welcome to attend as many or as few presentations as you wish.
A discussion of Black Panther at the MIT Black Students' Union Lounge, co-organized by Annis Rachel Sands (CMS master's student) and Ángel R. Rodríguez (Harvard University Ph.D. candidate).
Emily Rueb, a reporter for The New York Times, will share insights gained in bursting boundaries of traditional storytelling for The New York Times's Metro desk -- weaving video, audio, illustrations and text across multiple platforms.
Stuart Stevens believes Republicans are in a “GOP apocalypse,” and he’s mobilizing conservatives to stop it.
This talk by Anne-Katrin Weber explores the politics of CCTV, highlighting the adaptability of closed-circuit technologies, which accommodate to, and underpin variable contexts of media participation as well as of surveillance and control.
Before fake news dominated headlines, Kevin Young was tracking down its roots.
Scott C. Richmond argues that what is at stake in #blacklivesmatter is a Black political form that is also an emphatically network form, operating below, beyond, and to the side of what can be practiced, grasped at the level of the individual, of intention, and of representation.
