MIT Graduate Program in Comparative Media Studies
Studying Media and Making Media
University of North Carolina's Deen Freelon will explain how he and his collaborators are addressing challenges to analyzing Russian political influence operations and present key preliminary findings from their ongoing project focused on this campaign.
Sometimes simple changes can significantly expand accessibility to people who have neurological differences like autism, dyslexia, ADHD, or epilepsy, but designers and policymakers frequently aren’t aware of issues affecting this neurodiverse community.
andré carrington's research on the cultural politics of race in science fiction radio drama aims to expand the repertoire of literary adaptation studies by reintegrating critical perspectives from marginal and popular sectors of the media landscape into the advancing agendas of Afrofuturism and decolonization.
Jenny Korn uses critical race theories and intersectional feminist theories to analyze the visual and textual content of the blog #IfTheyGunnedMeDown to reveal constructions of social justice, respectability politics, media biases, racial stereotypes, viral popularity, and hashtag activism on Tumblr.
Some say sound is 50% of immersion in VR but also AR and XR. How does it translate to new platforms? How should we think of music, sound, audio and texture in immersive media productions? With its patented sound design, HeadSpace Studio has been designing sound spaces and 360 environments for pioneering experiences.
CMS/W Professor Lisa Parks presents what keeps low-income Tanzanians from accessing broadband services despite four undersea cable landings and an innovative regulatory regime.
