Richard Rouse, “Cinematic Games”
MIT Building 4, Room 231 Cambridge, MARichard Rouse on the ways cinematic techniques can be used in gameplay to create even more stimulating experiences for gamers.
MIT Graduate Program in Comparative Media Studies
Studying Media and Making Media
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Booklife: The Private and the Public in Transmedia Storytelling and Self-Promotion
MIT Building 4, Room 231 Cambridge, MAWhat are the benefits and dangers of a confusion between the private creativity and the public career elements of a writer's life?
Futures of Entertainment 4
Futures of Entertainment 4 once again brings together key industry leaders and academic scholars who are shaping these new directions in our culture.
Comparative Media Insights: “The Googlization of Everything”
MIT Building 14N, Room 313 160 Memorial Drive, Cambridge, MASiva Vaidhyanathan asks, what are we really gaining and losing by inviting Google to be the lens through which we view the world?
Comparative Media Insights: “Viva Las Vegas: a Neo-Baroque Conception of the World”
MIT Building 14N, Room 313 160 Memorial Drive, Cambridge, MAAngela Ndalianis analyze how Las Vegas -- a city-as-monument to entertainment and leisure culture -- has appropriated tropes and modes of engagement taken from pre-20th Century high culture traditions of the Church and aristocracy.
Comparative Media Insights: “Art of the Impossible: Utopia, Imagination, and Critical Media Practice”
MIT Building 14E, Room 310 160 Memorial Drive, Cambridge, MAStephen Duncombe asks, does the traditional truth-revealing role of critical media practice still have any political relevance?
Comparative Media Insights: “From Gamer Theory to Critical Practice”
MIT Building 14E, Room 310 160 Memorial Drive, Cambridge, MAHow can media studies be both in and of the emergent media forms, and yet retain a creative and critical distance from them?
Comparative Media Insights: “Race, Rights, and Virtual Worlds: Digital Games as Spaces of Labor Migration”
MIT Building 14E, Room 310 160 Memorial Drive, Cambridge, MAIf virtual world users' claims to citizenship and sovereignty within those worlds are to be taken seriously, so too must the question of "gray collar" or semi-legal virtual laborers.
Board/Card Game Design – Expansions
MIT Building 2, Room 135 182 Memorial Drive, Cambridge, MAEver played a board game and thought it was missing something? That you could make it better?
Button Mash: Gender and Gaming at MIT
MIT Building N25, Room 373 5 Cambridge Center, Cambridge, MAIssues around gender and gaming, as well as an opportunity for female MIT students who play digital games to come together to talk and play.
Global Game Jam
GAMBIT Game Lab 5 Cambridge Center, Cambridge, MA
Old-fashioned Futures and Re-fashionable Media
MIT Media Lab, Room 633 75 Amherst St., Cambridge, MAJoel Burges and Wayne Marshall will contribute to the rethinking of media studies at MIT by taking up the shared metaphor of fashion.
Mutiny: Asians Storm British Music
MIT Building 6, Room 120 182 Memorial Drive (Rear), Cambridge, MACombining music documentary and social documentary, Mutiny: Asians Storm British Music charts the meteoric rise of South Asian music in 1990's Britain. Featuring: Asian Dub Foundation, Talvin Singh, State of Bengal, Fun-Da-Mental, Anjali, DJ Ritu, Black Star Liner and many others.
Code and Platform in Computational Media
MIT Media Lab, Room 633 75 Amherst St., Cambridge, MAThis talk will describe how looking at the code and platform levels can enhance our comparative media studies of computational works.
Complete Game-Completion Marathon for Haiti
GAMBIT Game Lab 5 Cambridge Center, Cambridge, MAParticipants will independently seek sponsorship on a dollar/hour basis with all proceeds going directly to relief efforts in Haiti.
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The CMS graduate program has its home in Comparative Media Studies/Writing
Part of MIT's School of Humanities, Arts, and Social Sciences