The End of the Virtual: Digital Methods
MIT Building 2, Room 105 182 Memorial Drive, Cambridge, MARichard Rogers proposes a research practice that grounds claims about cultural change and societal conditions in online dynamics.
Richard Rogers proposes a research practice that grounds claims about cultural change and societal conditions in online dynamics.
What kind of popular culture is made in the context of war? How do notions of civil rights shift in a post-Civil Rights era?
Has the digital age confirmed and exponentially increased the cultural instability and creative destruction that are often said to define advanced capitalism?
This Forum will assess the state of local journalism, paying special attention to the changing environment for news in New England.
An information session for the graduate program in Comparative Media Studies.
Attendees will learn about a variety of game mechanisms through discussions of exemplar games and see how these games relate.
Hye Jean Chung’s talk will explore how digital effects are not only used to mediate the real but to replace or enhance human capabilities via cyborgian hybrids.
Join us at 10am on October 10, 2011, here at cms.mit.edu! RSVP not required, but sign up for a reminder.
MIT Mobile Experience Lab's Federico Casalegno on innovative ways to design creative new media and digital interactions to foster connections between people, information, and places.
John Bryant will draw upon examples from revision studies, adaptation, and translation in order to highlight the elements of creativity, appropriation, and cultural difference that are at stake in dealing with the ethics and editing of revision.
Sandra Braman on how "those responsible for technical design of the Internet have found they must think through a number of social policy issues along the way."
This talk by Marina Bers will focus on digital spaces to support positive youth development.
As a prologue to the Futures of Entertainment conference, this Forum will focus on the emergence of powerful new production cultures in such cities as Mumbai, Shanghai, and Rio de Janeiro.
What is the likely impact on audiences and on the international media landscape of such cities as Mumbai, Shanghai, and Rio de Janeiro?