MIT Graduate Program in Comparative Media Studies
Studying Media and Making Media
"A knitting pattern is actually a more or less complex algorithm with the difference being that the output is directly wearable like 3D printing."
Digitally based knowledge has reevaluate their existing pedagogical methods. In this workshop, we investigate one possible solution to this challenge: digital annotation.
Join Bobbie Chase, Editorial Director of DC Comics, and comic book writer Marjorie Liu (Monstress, Astonishing X-Men, Black Widow) as they discuss the current and future state of the comic book medium.
Theresa Rojas examines the prolific, heavily tattooed Kat Von D, who offers an aesthetic that challenges tattoo culture and notions of the “monstrous body”.
okidOkO's Gonzalo Frasca shows us how we should create games that are both useful and effective inside and outside the classroom.
Computational geneticist Pardis Sabeti and energy studies expert Jessika Trancik will discuss their careers and the outlook for women in science in the 21st century.
Catherine E. Clark on how "the utopian rhetoric that accompanied the Vidéothèque’s creation helps illuminate and call into question the utopian promises of the much more recent revolution in digital history."
Coco Fusco explores the work of performance artists from the 1980s to the present and examines how the Cuban state has wielded influence over performance.
A panel on the history and potential for documentarians to co-create with citizens, social scientists, technologists and performing artists, with the aim to both create artful meaning and foster concrete political action.
What happens to our understanding of reality when we become the protagonists of hypothetical worlds?
Kristin Cashore and Kenneth Kidd on why dystopias, devastating apocalyptic visions, and tales of personal trauma are such a staple of young adult literature.
Digital Me, an interactive documentary, is a private experience that uses personalization to make you reflect on your multiple and hybrid (digital/physical) personalities while guaranteeing you the ownership of the data that is retrieved about yourself.
The argument that culture empties out as it becomes ever more pivotal in the creative economy has, George Yúdice thinks, been borne out.
From data storytelling to driverless cars, the ten members of the CMS class of 2015 present on their graduate work. Free and open to the public.
Watch live! Thesis Presentations of the Comparative Media Studies Graduate Class of 2015 April 3, 2014 MIT Student Center Mezzanine Lounge 9:00 Coffee and Conversation 9:15 Presentations by: Chelsea Barabas Mirror Mirror on the Wall: A Study of Bias and Perceptions of Merit in the High-tech Labor Market Desiree Gonzalez Museum Making: Creating with […]
