Platforms in the Public Interest: Lessons from Minitel

MIT Building 56, Room 114 Access via 21 Ames Street, Cambridge, MA

After thirty years in service, Minitel offers a wealth of data for thinking about internet policy and an alternative model for the internet's future: a public platform for private innovation.

Ecological Criticism in the Age of the Database

MIT Building 56, Room 114 Access via 21 Ames Street, Cambridge, MA

Sean Cubitt asserts the value of anecdotal evidence against the rise of statistics, but at the same time wants to confront the difficulties in bringing about an encounter between readers (human or otherwise) and the mass image constructed by social media and search giants.

Mapping Climate Change: Contested Futures in New York City’s Flood Zone

MIT Building 56, Room 114 Access via 21 Ames Street, Cambridge, MA

Explore how certain places come to be seen as “at risk” in anticipation of climate change, and what this way of seeing means for their inhabitants. Drawing on fieldwork over four years in the aftermath of Hurricane Sandy, the talk will focus on the fraught development and implementation of new FEMA (Federal Emergency Management Agency) flood maps for New York City, where hundreds of thousands of people and billions of dollars in property now lie in the high-risk flood zone.

Cloud Policy: Anatomy of a Regulatory Crisis

MIT Building 56, Room 114 Access via 21 Ames Street, Cambridge, MA

Jennifer Holt examines the legal and cultural crises surrounding the regulation of data in “the cloud.” The complex landscape of laws and policies governing digital data are currently rife with unresolvable conflicts. The challenges of distributing and protecting digital data in a policy landscape that is simultaneously local, national, and global have created problems that often defy legal paradigms, national boundaries, and traditional geographies of control.

ICTs for Refugees and Displaced Persons

MIT Building 56, Room 114 Access via 21 Ames Street, Cambridge, MA

Carleen Maitland introduces the terms "digital refugee" and "digital humanitarian brokerage" as she previews her new edited volume Digital Lifeline? ICTs for Refugees and Displaced Persons.

The (Non)Americans: Tracking and Analyzing Russian Influence Operations on Twitter

MIT Building 56, Room 114 Access via 21 Ames Street, Cambridge, MA

University of North Carolina's Deen Freelon will explain how he and his collaborators are addressing challenges to analyzing Russian political influence operations and present key preliminary findings from their ongoing project focused on this campaign.

The Tip of the Iceberg: Sound Studies and the Future of Afrofuturism

MIT Building 56, Room 114 Access via 21 Ames Street, Cambridge, MA

andré carrington's research on the cultural politics of race in science fiction radio drama aims to expand the repertoire of literary adaptation studies by reintegrating critical perspectives from marginal and popular sectors of the media landscape into the advancing agendas of Afrofuturism and decolonization.

Visual Representations of Race and Gender: Analyzing “Me” in #IfTheyGunnedMeDown on Tumblr

MIT Building 56, Room 114 Access via 21 Ames Street, Cambridge, MA

Jenny Korn uses critical race theories and intersectional feminist theories to analyze the visual and textual content of the blog #IfTheyGunnedMeDown to reveal constructions of social justice, respectability politics, media biases, racial stereotypes, viral popularity, and hashtag activism on Tumblr.

Music Fandom and the Shaping of Online Culture

MIT Building 56, Room 114 Access via 21 Ames Street, Cambridge, MA

Nancy Baym: "By the time musicians and industry figures realized they could use the internet to reach audiences directly, those audiences had already established their presences and social norms online, putting them in unprecedented positions of power."

The City Talks: Storytelling at the New York Times’s Metro Desk

MIT Building 56, Room 114 Access via 21 Ames Street, Cambridge, MA

Emily Rueb, a reporter for The New York Times, will share insights gained in bursting boundaries of traditional storytelling for The New York Times's Metro desk -- weaving video, audio, illustrations and text across multiple platforms.