The refusal to define women of color's work creating the material infrastructure for digital media as "real" work set the stage for our contemporary moment's hostility against women of color’s work witnessing and documenting racism online and moderating digital environments.

As the English did with colonial “promotional literature”, how do you persuade people to leave their indigenous communities to start new ones in a foreign and sometimes hostile place?

Most discussions of the voice frame it as a human faculty that is connected to self and agency, as when we say that a political group “has a voice,” or when the tone of voice is taken as expressing a speaker’s inner meaning or selfhood. But how to understand voices that are produced prosthetically?