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DTSTART;TZID=America/New_York:20150409T170000
DTEND;TZID=America/New_York:20150409T190000
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SUMMARY:Re-calling the Modem World: The Dial-up History of Social Media
DESCRIPTION:Kevin Driscoll\, CMS ’09\, and Postdoctoral Researcher at Microsoft Research\n(Join our mailing list for an event reminder.) \nFor fifteen years before the graphical Web\, thousands of personal computer owners encountered the pleasures\, promises\, and challenges of online community through networks of dial-up bulletin-board systems (BBS). While prevailing histories of the early internet tend to focus on state-sponsored experiments such as ARPANET\, the history of bulletin-board systems reveals the popular origins of computer-mediated social life. From chatting and flirting to shopping and multiplayer games\, it was on these locally-run systems that early modem users grappled with questions of trust\, identity\, anonymity\, and sexuality. In this talk\, Kevin Driscoll will map out the generative conditions that gave rise to amateur computer networking at the end of the 1970s and trace the diffusion of BBSing across diverse cultural and geographic terrain during the 1980s. This history provides lived examples of systems operated under vastly different social\, technical\, and political-economic conditions than the centralized platforms we inhabit today. Indeed\, remembering the grassroots past of today’s internet creates new opportunities to imagine a more just\, democratic tomorrow. \nKevin Driscoll (Ph.D.\, University of Southern California) is a postdoctoral researcher at Microsoft Research. His research concerns the popular and political cultures of networked personal computing with special attention to myths about internet history. Previously\, he earned an M.S. in Comparative Media Studies at the Massachusetts Institute of Technology and taught mathematics and computer science at Prospect Hill Academy.
URL:https://cms.mit.edu/event/kevin-driscoll-dial-up-history-of-social-media/
LOCATION:MIT Building 4\, Room 231\, Cambridge\, MA\, 02139\, United States
CATEGORIES:Colloquium
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DTSTART;TZID=America/New_York:20150423T170000
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SUMMARY:The Dancing Body of the State: Queer Social Dance\, Political Leadership\, and Black Popular Culture
DESCRIPTION:(Co-sponsored with both MIT Global Studies and Languages and Women’s and Gender Studies.  And join our mailing list for an event reminder email.) \nThomas DeFrantz\, Duke University\n21st century popular culture\, circulated by media\, enables unusual affiliations of bodies in motion. When black social dances are practiced by American political leaders\, as when First Lady Michelle Obama demonstrates “the Dougie” in her “Let’s Move” anti-obesity campaign\, or when Secretary of State Hillary Rodham Clinton dances alongside others during her 2012 tour of Africa\, black social dance moves toward a center of considerations of embodied knowledge.  This talk wonders at the intertwining of African American social dances and political leadership\, conceived as the bodies of elected officials. In addition we will consider the commercial and socially-inscribed leaders of popular cultural\, including Beyonce and Brittany Spears\, as arbiters of African American social dance. Ultimately\, the talk suggests a haunting presence of queers-of-color aesthetic imperatives within political mobilizations of black social dance\, continually – and ironically – conceived as part and parcel of rhetorics of liberation and freedom of movement. As queer dances emerge in marginalized relationship to mainstream concerns of identity and gesture\, and then migrate toward shifting centers of popular culture\, they shimmer and switch\, bringing to light – perhaps – possibilities of creative aesthetic social dissent. \nThomas F. DeFrantz is Chair of African and African American Studies at Duke University\, and director of SLIPPAGE: Performance\, Culture\, Technology\, a research group that explores emerging technology in live performance applications. His books include the edited volume Dancing Revelations Alvin Ailey’s Embodiment of African American Culture (de la Torre Bueno Prize\, Oxford University Press\, 2004)\, and Black Performance Theory\, co-edited with Anita Gonzalez (Duke University Press\, 2014). In 2013\, working with Takiyah Nur Amin and an outstanding group of artists and researchers\, he founded the Collegium for African Diaspora Dance. A director and writer\, he is the outgoing President of the Society of Dance History Scholars. He taught at MIT for many years\, in Music and Theater Arts and Comparative Media Studies.
URL:https://cms.mit.edu/event/thomas-defrantz-queer-social-dance-political-leadership-black-popular-culture/
LOCATION:MIT Building 4\, Room 231\, Cambridge\, MA\, 02139\, United States
CATEGORIES:Colloquium
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