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DTSTART;TZID=America/New_York:20201001T120000
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SUMMARY:Still Funny?: Satire\, Deepfakes\, and Human Rights Globally
DESCRIPTION:Deepfakery: A Livestream Talk Series and Exploration of Critical Questions
URL:https://cms.mit.edu/event/still-funny-satire-deepfakes-and-human-rights-globally/
CATEGORIES:Deepfakery
ATTACH;FMTTYPE=image/png:https://cms.mit.edu/wp/wp-content/uploads/2020/08/DEEPFAKERY_header_new-1024x576-1.png
ORGANIZER;CN="Open%20Documentary%20Lab":MAILTO:opendoclab-contact@mit.edu
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BEGIN:VEVENT
DTSTART;TZID=America/New_York:20201001T170000
DTEND;TZID=America/New_York:20201001T183000
DTSTAMP:20260425T164905
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SUMMARY:Jing Wang\, "Walking Around Obstacles: Nonconfrontational Activists in Gray China"
DESCRIPTION:[Streamed live at https://mit.zoom.us/j/94087151099.] \n\n\n\n\nIs there digital activism in China? What is it like to be an activist running a grassroots NGO in a land of censors? Is the state-public relationship in China antagonistic by default as our mainstream media would like us to believe? Are citizens of illiberal societies brainwashed or complicit\, either imprisoned for speaking out or paralyzed by fear? This talk challenges some of the binary assumptions we make about activism and China by bringing our attention to the gray zones in China where nonconfrontational activists are building an invisible and quiet coalition to bring incremental progress to their society. Wang will talk about NGO2.0\, a grassroots organization she founded in China\, provide examples of nonconfrontational activism staged on Weibo and WeChat\, and introduce Future Village\, a design4good project that calls for multi-sectoral collaboration that NGO2.0 is building. \n\n\n\n\nJing Wang is the founder and director of MIT New Media Action Lab and serves as the Chair of the International Advisory Board for Creative Commons China. She is also the founder and secretary-general of NGO2.0\, a grassroots nonprofit organization based in Beijing and Shenzhen. Her current research interests include entertainment media in China and the US\, advertising and marketing\, civic media and communication\, social media action research\, and nonprofit technology.
URL:https://cms.mit.edu/event/jing-wang-nonconfrontational-activists-in-gray-china/
LOCATION:Fall 2020 Colloquium Livestream\, Cambridge\, 02139
ATTACH;FMTTYPE=image/jpeg:https://cms.mit.edu/wp/wp-content/uploads/2020/03/Jing-Wang-square.jpg
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BEGIN:VEVENT
DTSTART;TZID=America/New_York:20201008T170000
DTEND;TZID=America/New_York:20201008T183000
DTSTAMP:20260425T164905
CREATED:20200813T131520Z
LAST-MODIFIED:20201023T155425Z
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SUMMARY:Eric Gordon\, "Towards a Meaningfully Inefficient Smart City"
DESCRIPTION:[Streamed live at https://mit.zoom.us/j/94087151099.] \n\n\n\n\nMainstream “smart” city discourse offers a technocentric\, efficiency-driven utopian fantasy that elides or exacerbates many urban problems of the past and present. Significant critical literature has emerged in recent years that highlights the importance of lived experience in smart cities\, wherein values of equity\, quality of life\, and sustainability are prioritized. This literature has focused on models that center people in the design and implementation of smart city plans. Instead of maximizing efficiency\, these models strategically produce what I call meaningful inefficiencies into process and outcomes\, or the intentionally designed productive lag in a system wherein users are able to explore\, connect\, and invent in a non-prescribed fashion. In this talk\, Visiting Professor Eric Gordon will discuss a recent project in Boston\, MA in collaboration with the Boston Mayor’s Office of New Urban Mechanics\, called Beta Blocks\, that uses meaningful inefficiency as a structuring logic for sourcing\, questioning and making decisions about public realm technologies. \n\n\n\n\nEric Gordon is a visiting professor in Comparative Media Studies/Writing at MIT and a professor of Media Art at Emerson College\, where he directs the Engagement Lab. His research focuses on the transformation of public life and governance in digital culture\, and the incorporation of play into collaborative design processes. He is the editor of Civic Media: Technology\, Design\, Practice (MIT Press\, 2016) and the author of Meaningful Inefficiencies: Civic Design in an Age of Digital Expediency (Oxford University Press\, 2020).
URL:https://cms.mit.edu/event/eric-gordon-towards-a-meaningfully-inefficient-smart-city/
CATEGORIES:Colloquium
ATTACH;FMTTYPE=image/jpeg:https://cms.mit.edu/wp/wp-content/uploads/2020/08/Eric-Gordon.jpg
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DTSTART;TZID=America/New_York:20201015T170000
DTEND;TZID=America/New_York:20201015T183000
DTSTAMP:20260425T164905
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SUMMARY:Laura Partain\, “Race and Representation of Syrian\, Palestinian\, and Norwegian Refugees in the News”
DESCRIPTION:[Streamed live at https://mit.zoom.us/j/94087151099.] \n\n\n\n\nThis talk will discuss contemporary US feelings towards Syrian and Palestinian refugee resettlement and expectations for “appropriate” refugee attitudes\, emotions\, and behaviors. Laura Partain’s findings come out of a generalizable experimental analysis conducted with native-born US citizens in December of 2019. Putting these views into an historical context\, she explains that what might immediately be perceived as unexpected experimental results are actually the logical  evolution of the 20th and 21st century US racial episteme: US participants are more likely to support the resettlement of darker phenotype refugees\, but hold more amicable views of lighter phenotype refugees. Moreover\, participants’ association with the Christian faith identity was the most reliable predictor of anti-immigrant views. During this discussion\, Laura will tie her research into ongoing conversations about nationalism and national belonging\, as well as the ways in which social-expectations placed on displaces peoples can limit their access to civic\, medical\, and everyday resources. \n\n\n\n\nLaura Partain is a Visiting Lecturer in Civic and Global Media within MIT’s CMS/W. She researches complex news and social media effects on marginalized communities’ access to socio-political\, material\, and medical resources. Her scholarship is located at the interstices of citizenship status and national belonging. Laura’s work uses experimental analyses to develop media interventions for prejudice reduction and focuses on the media effects of racial\, religious\, and ethnic identity representations. Laura has worked with communities in Syria\, the Occupied Palestinian Territories\, Lebanon\, and Iran\, but also works with these communities who are forcibly displaced in diaspora (i.e. refugees\, asylum seekers) as well as with Arab and Muslim Americans more broadly. Her published research includes articles in the Journal of Applied Communication Research and Communication Methods and Measures\, among others.
URL:https://cms.mit.edu/event/laura-partain-race-representation-syrian-palestinian-norwegian-refugees/
ATTACH;FMTTYPE=image/jpeg:https://cms.mit.edu/wp/wp-content/uploads/2020/09/Laura-Partain.jpg
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DTSTART;TZID=America/New_York:20201022T170000
DTEND;TZID=America/New_York:20201022T183000
DTSTAMP:20260425T164905
CREATED:20200814T174249Z
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SUMMARY:Elinor Carmi\, “Media Distortions: Understanding the Power Behind Spam\, Noise\, and Other Deviant Media”
DESCRIPTION:Media Distortions is about the power behind producing deviant media categories. It shows the politics behind categories we take for granted such as spam and noise\, and what it means to our broader understanding of\, and engagement with media. The book synthesizes media theory\, sound studies\, STS\, feminist technoscience\, and software studies into a new composition to explore media power. Media Distortions argues that using sound as a conceptual framework is more useful due to its ability to cross boundaries and strategically move between multiple spaces – which is essential for multi-layered mediated spaces. The book introduces two main concepts – Processed Listening and Rhythmedia – to analyze multiplicities of mediated spaces\, people and objects. \n\n\n\nDrawing on repositories of legal\, technical and archival sources\, the book amplifies three stories about the construction and negotiation of the ‘deviant’ in media. The book starts in the early 20th century with Bell Telephone’s production of noise in the training of their telephone operators and their involvement with the Noise Abatement Commission in New York City. The next story jumps several decades to the early 2000s focusing on web metric standardization in the European Union and shows how the digital advertising industry constructed what is legitimate communication while illegitimizing spam. The final story focuses on the recent decade and the way Facebook constructs unwanted behaviors to engineer a sociality that produces more value. These stories show how deviant categories re-draw boundaries between human and non-human\, public and private spaces\, and importantly – social and antisocial. \n\n\n\n\n \n\n\n\n\n\n\n\n\nAbout Elinor Carmi\n\n\n\nElinor Carmi is a researcher\, journalist and ex-radio broadcaster who has a passion for technology\, digital rights\, and feminism. In the past 8 years she has been examining internet standards\, specifically the development of the digital advertising ecosystem such as advertising networks\, real-time-bidding\, and web-cookies/pixels. Currently Dr. Carmi is a Research Associate at Liverpool University\, UK\, working on several projects: 1) “Me and My Big Data – Developing Citizens’ Data Literacies” Nuffield Foundation funded project; 2) “Being Alone Together: Developing Fake News Immunity” UKRI funded project; 3) Digital inclusion with the UK’s Department for Digital\, Culture\, Media and Sport (DCMS). On February 2020\, Carmi was invited to give evidence on digital literacy for the House of Lords’ Committee on Democracy and Digital Technologies\, at the British Parliament in London\, UK. In addition\, she has been invited by the World Health Organisation (WHO) as a scientific expert to be part of the closed discussions to establish the foundations of Infodemiology. Before academia\, Elinor worked in the electronic dance music industry  for various labels\, was a radio broadcaster and a music television  editor for almost a decade. In 2013\, she published a book about the  Israeli Psytrance culture titled “TranceMission: The Psytrance Culture  in Israel 1989-1999” (Resling Publishing). She also tweets  @Elinor_Carmi.
URL:https://cms.mit.edu/event/elinor-carmi-media-distortions-spam-noise-deviant-media/
CATEGORIES:Colloquium
ATTACH;FMTTYPE=image/jpeg:https://cms.mit.edu/wp/wp-content/uploads/2019/12/Elinor-Carmi.jpg
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BEGIN:VEVENT
DTSTART;TZID=America/New_York:20201029T170000
DTEND;TZID=America/New_York:20201029T183000
DTSTAMP:20260425T164905
CREATED:20201005T142550Z
LAST-MODIFIED:20201026T131134Z
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SUMMARY:Lana Swartz\, "New Money: How Payment Became Social Media"
DESCRIPTION:Lana Swartz\, ’09\, is joined by Aswin Punathambekar\, ’03\, to discuss Swartz’s new book New Money: How Payment Became Social Media (Yale University Press). New Money frames money as a media technology\, one in major transition\, and interrogates the consequences of those changes. \n\n\n\nLana Swartz is an Assistant Professor in Department of Media Studies at the University of Virginia and a 2009 graduate of MIT’s Comparative Media Studies master’s program. Prior to New Money\, she published Paid: Tales of Dongles\, Checks\, and Other Money Stuff (MIT Press). Aswin Punathambekar is Swartz’s colleague at UVa’s Department of Media Studies\, where he is an Associate Professor. He graduated from the Comparative Media Studies program in 2003 and is co-author of the upcoming (provisionally-titled) The Digital Popular: Media\, Culture\, and Politics in Networked India.
URL:https://cms.mit.edu/event/lana-swartz-new-money-aswin-punathambekar/
CATEGORIES:Colloquium
ATTACH;FMTTYPE=image/jpeg:https://cms.mit.edu/wp/wp-content/uploads/2020/10/New-Money-cover-cropped.jpg
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