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X-WR-CALDESC:Events for MIT Graduate Program in Comparative Media Studies
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SUMMARY:Media in Transition 8: Public Media\, Private Media
DESCRIPTION:Submissions accepted on a rolling basis until Friday\, March 1\, 2013 (evaluations begin in November). Please see the end of this call for papers for submission instructions. \nThe distinction between public and private — where the line is drawn and how it is sometimes inverted\, the ways that it is embraced or contested — says much about a culture. Media have been used to enable\, define and police the shifting line between the two\, so it is not surprising that the history of media change to some extent maps the history of these domains. Media in Transition 8 takes up the question of the shifting nature of the public and private at a moment of unparalleled connectivity\, enabling new notions of the socially mediated public and unequalled levels of data extraction thanks to the quiet demands of our Kindles\, iPhones\, televisions and computers. While this forces us to think in new ways about these long established categories\, in fact the underlying concerns are rooted in deep historical practice. MiT8 considers the ways in which specific media challenge or reinforce certain notions of the public or the private and especially the ways in which specific “texts” dramatize or imagine the public\, the private and the boundary between them. It takes as its foci three broad domains: personal identity\, the civic (the public sphere) and intellectual property. \nRead the full call for papers…
URL:https://cms.mit.edu/event/media-in-transition-8-public-media-private-media/
CATEGORIES:Conference
ATTACH;FMTTYPE=image/jpeg:https://cms.mit.edu/wp/wp-content/uploads/2013/03/mit8_logo.jpg
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DTSTART;TZID=America/New_York:20130509T170000
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SUMMARY:10 PRINT CHR$(205.5+RND(1)); : GOTO 10
DESCRIPTION:The MIT Press book we affectionately call 10 PRINT — actually 10 PRINT CHR$(205.5+RND(1)); : GOTO 10 — was an unusual project in several respects. The book focuses on a single line of now-unfamiliar code\, code of the sort that millions typed in and modified in the 1970s and 1980s. The book contributes to several threads of contemporary digital media scholarship\, including critical code studies\, software studies\, and platform studies. Also somewhat oddly\, the book was written in a single voice by ten people: Nick Montfort\, Patsy Baudoin\, John Bell\, Ian Bogost\, Jeremy Douglass\, Mark C. Marino\, Michael Mateas\, Casey Reas\, Mark Sample\, and Noah Vawter. \nAt this CMS colloquium\, co-authors will discuss the nature of their collaboration\, which was organized by Montfort\, designed as a book by Reas\, and facilitated by structured conversations and writing done online (using a mailing list and a wiki) as well as (in a few cases) in person. The writing of 10 PRINT is offered as a new mode of scholarship\, very suitable in digital media but capable of being applied throughout the humanities. It brings some of the benefits of laboratory work and collaborative design practice to the traditionally individual mode of scholarly research and argument.
URL:https://cms.mit.edu/event/10-print/
LOCATION:MIT Building 4\, Room 231\, Cambridge\, MA\, 02139\, United States
CATEGORIES:Colloquium
ATTACH;FMTTYPE=image/jpeg:https://cms.mit.edu/wp/wp-content/uploads/2013/01/10PRINT_06-640x480.jpg
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