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DTSTART;VALUE=DATE:20120504
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SUMMARY:ROFLCon 2012
DESCRIPTION:Sponsored in part by CMS\, ROFLCon is “Two days and two nights of the most epic internet culture conference ever assembled. Informed commentators suggest that this may be the most important gathering of humanity since the fall of the tower of Babel.” \nAbout: roflcon.org \nRegistration: roflcon.org/registration
URL:https://cms.mit.edu/event/roflcon-2012/
CATEGORIES:Conference
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DTSTART;TZID=America/New_York:20120504T170000
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SUMMARY:Electronic Literature and Future Books
DESCRIPTION:Mainstream and avant-garde poets and fiction writers have been exploring the literary potential of the computer for decades\, creating work that goes far beyond today’s e-books. The creators of electronic literature have developed new interface methods\, new techniques for collaboration\, and new ways of linking language\, computing\, and other media elements. How has electronic literature influenced other media\, including the Web and the book? What are the implications of having literary projects in the digital sphere alongside other forms of communication and art? \nKatherine Hayles is professor in the literature program at Duke University. Her books include Electronic Literature: New Horizons for the Literary (2008) and My Mother Was a Computer: Digital Subjects and Literary Texts (2005). \nRita Raley is associate professor of English at the University of California at Santa Barbara where she directs Transcriptions\, an online publication covering digital humanities. Her most recent publications include the co-edited Electronic Literature Collection\, volume 2.
URL:https://cms.mit.edu/event/electronic-literature-future-books/
LOCATION:MIT Media Lab\, Bartos Theater\, 20 Ames Street\, Cambridge\, MA\, 02139\, United States
CATEGORIES:Communications Forum
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DTSTART;TZID=America/New_York:20120510T170000
DTEND;TZID=America/New_York:20120510T190000
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CREATED:20140810T155040Z
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SUMMARY:How To Wreck A Nice Speech: Hearing Things With The Vocoder\, From World War II To Hip-Hop
DESCRIPTION:Dave Tompkins\nInvented by Bell Labs in 1928 to reduce bandwidth over the Trans Atlantic Cable\, the vocoder would end up guarding phone conversations from eavesdroppers during World War II. By the Vietnam War\, the “spectral decomposer” had been re-freaked as a robotic voice for musicians. How To Wreck A Nice Beach is about hearing things\, from a misunderstood technology which in itself often spoke under conditions of anonymity. This is a terminal beach-slap of the history of electronic voices: from Nazi research labs to Stalin gulags\, from World’s Fairs to Hiroshima\, from Churchill and JKF to Kubrick and Kinski\, The O.C. and Rammellzee\, artificial larynges and Auto-Tune. Vocoder compression technology is now a cell phone standard–we communicate via flawed digital replicas of ourselves every day. Imperfect to be real\, we revel in signal corruption. \nDave Tompkins’ first book\, How To Wreck A Nice Beach: The Vocoder From World War II To Hip-Hop\, is now out in paperback. Amazon named it “top pick” for Entertainment book of the year in 2010. He has presented on the vocoder in Germany\, Netherlands (Jan Van Eyck)\, New York (Eyebeam Institute)\,  London\, Poland (Unsound Festival)\, and at the NSA Cryptologic Symposium held at the Applied Physics Laboratory at Johns Hopkins University. Tompkins has written for Grantland\, Oxford American\, The Believer and The Wire. Tompkins is currently researching Sustained Decay bass sub-frequencies in Florida. Born in North Carolina\, he now lives in Brooklyn. \nCo-hosted with the MIT Cool Japan Project.
URL:https://cms.mit.edu/event/dave-tompkins-how-to-wreck-a-nice-speech/
LOCATION:MIT Media Lab\, Room 633\, 75 Amherst St.\, Cambridge\, MA\, 02139\, United States
CATEGORIES:Colloquium
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