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X-WR-CALNAME:MIT Graduate Program in Comparative Media Studies
X-ORIGINAL-URL:https://cms.mit.edu
X-WR-CALDESC:Events for MIT Graduate Program in Comparative Media Studies
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DTSTART;TZID=America/New_York:20070122T130000
DTEND;TZID=America/New_York:20070122T150000
DTSTAMP:20260521T223222
CREATED:20140730T143456Z
LAST-MODIFIED:20140730T143456Z
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SUMMARY:"Translation" in Transmediation: Exploring the Metaphor
DESCRIPTION:Transferring narratives from one medium to another is often either likened to the process of translation or just plainly called translation\, the latter being used as a synonym to “transmediation”. During this two-hour class with Ksenia Prassolova\, we will concentrate on further exploring this metaphor; by looking at the key translation techniques we will try to understand how to better tell our stories across media.
URL:https://cms.mit.edu/event/translation-in-transmediation-exploring-metaphor/
LOCATION:MIT Building 1\, Room 132\, 33 Massachusetts Avenue\, Cambridge\, MA\, 02139\, United States
CATEGORIES:Independent Activities Period
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DTSTART;TZID=America/New_York:20070122T170000
DTEND;TZID=America/New_York:20070122T170000
DTSTAMP:20260521T223222
CREATED:20160822T174044Z
LAST-MODIFIED:20160822T174044Z
UID:21421-1169485200-1169485200@cms.mit.edu
SUMMARY:PULSE: American Music and Poetry from 1950 to 1970
DESCRIPTION:This is a two-hour single session designed to discuss the parallel relationships between the American music and poetry from the 1950s to 70s. \nBy the early fifties\, as part of the postwar development of consumer society\, a strange pulse had set in the music scene to bring about muzak or elevator music. As if to reflect this new trend\, poets such as Robert Lowell and John Berryman started to write\, almost on the same pulse\, quasi-sonnet sequences. \nIn the late sixties\, a more experimental type of pulse music was invented by such composers as Terry Riley and Steve Reich to be later labeled as minimalism. Again\, the poetry caught up due to the efforts of John Ashbery and A. R. Ammons who wrote deliberately monotonous and distinctly open-ended sequences. \nSome excerpts of poems will be read\, some parts of music heard.
URL:https://cms.mit.edu/event/pulse-america-music-poetry-1950-1970/
LOCATION:MIT Building 1\, Room 246\, 33 Massachusetts Avenue\, Cambridge\, MA\, 02139\, United States
CATEGORIES:Independent Activities Period
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