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DTSTART;TZID=America/New_York:20110928T170000
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SUMMARY:From Settlers to Quarriors: Breaking up the Monopoly with Modern Board Game Design
DESCRIPTION:Scott Nicholson\nOver the last 15 years\, there has been an explosion of innovation in board game styles and mechanisms. The Settlers of Catan was the game that crossed the ocean from Germany to the U.S. in the late 1990’s and kicked off this new era in board gaming.  These modern board games\, or Eurogames\, are more engaging experiences and based less on luck than the typical roll-and-move board game design prevalent in the 20th century. \nAttendees will learn about a variety of game mechanisms through discussions of exemplar games and see how these games relate.  Many of these mechanisms are appropriate for digital games as well as tabletop games\, so attendees will improve their toolkit of mechanisms for their own design work. \nDr. Scott Nicholson is a visiting scholar with MIT Comparative Media Studies for the 2011-2012 academic year\, working with the Singapore-MIT GAMBIT Game Lab and The Education Arcade. He is an associate professor at the School of Information Studies at Syracuse University\, where he has focused on games in libraries and game design as a pedagogical tool. He was the host of Board Games with Scott from 2005-2010 and is the designer of Tulipmania 1637\, a board game published in 2009. In addition\, he is the author of Everyone Plays at the Library: Creating Great Gaming Experiences for All Ages\, published in 2010 by Information Today.
URL:https://cms.mit.edu/event/scott-nicholson-modern-board-game-design/
LOCATION:MIT Building 4\, Room 231\, Cambridge\, MA\, 02139\, United States
CATEGORIES:Colloquium
ATTACH;FMTTYPE=image/jpeg:https://cms.mit.edu/wp/wp-content/uploads/2011/09/scottnicholson.jpg
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DTSTART;TZID=America/New_York:20110929T170000
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SUMMARY:Marks of Materiality in Digital Bodies
DESCRIPTION:Hye Jean Chung\nDigital technology is increasingly utilized in film production to achieve the technical and imaginative compositing of live-action and computer-generated imagery. Hye Jean Chung’s talk will explore how digital effects are not only used to mediate the real but to replace or enhance human capabilities via cyborgian hybrids. When bodies become digitized into pixelated formats\, does this effectively incarnate physicality in ways unforeseen? How do nationalist desires and transnational aspirations intersect in computer-generated bodies of imaginary entities? What is lost when a digital aesthetics that accentuates seamlessness\, transcendence and transmutation translates into a naïve political rhetoric that elides the material practices of labor in film production pipelines? Even though computer-generated characters are often described as de-materialized because they are simulated images of digital bodies and virtual camera movements\, they can also be regarded as material incarnations of visual and sonic traces that link them to corporeal bodies and territorial concerns. This talk will examine how layered traces of national bodies become re-animated and re-corporealized along the film production pipeline through the multiple bodies of actors\, voice actors\, stunt actors\, movement coordinators\, body doubles\, and animators. \nHye Jean Chung is currently a Mellon Postdoctoral Fellow in Comparative Media Studies at Massachusetts Institute of Technology\, where she is working on a book project that analyzes the globally dispersed and digitally networked workforce of film production pipelines\, and its relation to the fictional spaces\, computer-generated imagery and digital aesthetics of contemporary cinema. She received her Ph.D. in Film and Media Studies from the University of California\, Santa Barbara. Her primary research interests include transnational cinema\, cross-border mobility\, production studies\, digital visual effects and animation\, and East Asian cinema. Her work has been published in journals such as Spectator and Contemporaneity\, and in the anthology Documentary Testimonies: Global Archives of Suffering (Routledge\, 2009)\, edited by Bhaskar Sarkar and Janet Walker. Other essays will soon appear in forthcoming issues of Cinema Journal and The Velvet Light Trap. She has recently co-edited and contributed to a themed issue of Media Fields Journal on the intersection of media\, labor\, and mobility. In addition to her scholarly endeavors\, Chung has worked as a journalist\, and published translations of literary works from Korean into English and vice versa.
URL:https://cms.mit.edu/event/hye-jean-chung-marks-of-materiality-in-digital-bodies/
LOCATION:MIT Media Lab\, Room 633\, 75 Amherst St.\, Cambridge\, MA\, 02139\, United States
CATEGORIES:Colloquium
ATTACH;FMTTYPE=image/jpeg:https://cms.mit.edu/wp/wp-content/uploads/2015/03/Hye-Jean-Chung.jpg
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