tag:blogger.com,1999:blog-17327382822913564032007-10-25T16:54:37.128-07:00Beth ColemanBlogger3125tag:blogger.com,1999:blog-1732738282291356403.post-7283007616888918702007-10-24T13:10:00.001-07:002007-10-25T16:49:05.725-07:00This paper offers a discussion of the history and theory of digital technologies in the visual arts and media. Areas of analysis include the history of electronic and digital arts design and practice, the history and theory of vision and imaging technologies, and theories of the spectacle in relation to virtual environments.<br /><br /><a href="http://cms.mit.edu/people/bcoleman/publications/Coleman%20Generative%20Aesthetics.pdf">Click Here to View Article (PDF)</a>Beth Colemantag:blogger.com,1999:blog-1732738282291356403.post-88000133770836805752007-10-24T13:09:00.000-07:002007-10-25T16:52:19.568-07:00Machine cinema killed the video star. It is straight out of game culture that the next evolution of music video has arrived––user-generated, pop inspired, and “mod” all over. Unlike the music videos of the MTV generation that created an image for a song as a form of branded commercial output, the machinima music video weds customized in-game play to user-selected music.<br /><br /><a href="http://cms.mit.edu/people/bcoleman/publications/Coleman%20Machinima%20Reader.pdf">Click Here to View Article (PDF)</a>Beth Colemantag:blogger.com,1999:blog-1732738282291356403.post-65080128032638452612007-10-23T12:58:00.001-07:002007-10-25T16:54:37.151-07:00If one had to say it fast, the slave economy in America produced the American pimp. Pimping may be the second-oldest profession in the world, but it was in America first that the pimp became a black pop star.<br /><br /><a href="http://cms.mit.edu/people/bcoleman/publications/Pimp%20Notes%20on%20Autonomy.pdf">Click Here to View Article (PDF)</a>Beth Coleman